The Episcopal Cafe has a very disturbing essay by Joel Merchant about his experience with how foreigners are sometimes treated in the US under the guise of national security. The essay is causing a great of dicussion on the web (and it caused the Episcopal Cafe traffic to increase eightfold). I thought you would benefit from reading highlights from the post:
Countries, like people, make friends with others one at a time. This is a story of one failure. In fairness to an unknown visitor to our country, imagine yourself in his place. The scene is on a recent Amtrak trip between New York City and Boston. The conductor collects tickets, requests identification, folds destination stubs into seatbacks, moves on to other cars. An older man across the aisle, traveling alone, shows his passport. It is clear from their conversation he doesn’t know English.
After decades as a frequent traveler, I have thousands of pictures -- scenery, buildings, people, architecture, from around the world. Today the train passes a lovely stretch of Connecticut shore, tidal marshes, nesting ospreys, the Long Island Sound. What little attention I pay as the visitor takes pictures, is that I’m impressed with his equipment. He and I, unknown to each other, are members of a picture-taking culture, fellow citizens of a show-and-tell world. I wonder if his will join the thousands on YouTube. I imagine, after his return home, how many friends he will impress with stories and pictures of this mild, early autumn, Saturday morning journey along the New England shoreline.
The train is a half hour west of New Haven when the conductor, having finished her original rounds, reappears. She moves down the aisle, looks, stops between our seats, faces the person taking pictures. “Sir, in the interest of national security, we do not allow pictures to be taken of or from this train.” He starts, “I…….” but, without English, his response trails off into silence. The conductor, speaking louder, forcefully: “Sir, I will confiscate that camera if you don’t put it away.” Again, little response. “Sir, this is a security matter! We cannot allow pictures.” She turns away abruptly and, as she moves down the aisle, calls over her shoulder, in a very loud voice, “Put. It. Away!” He packs his camera.
Within a minute after our arrival in New Haven, two armed police officers entered the car, approached my neighbor’s seat. “Sir, we're removing you from this train.” “I….;” “I……” “Sir, you have breached security regulations. We must remove you from this train.” “I…,” “I…..” “Sir, we are not going to delay this train because of you. You will get off, or we will remove you physically.” “I…..”
Nearby passengers stir. One says, “It’s obvious he doesn’t speak English. There are people here who speak more than one language. Perhaps we can help.” Different ones ask about the traveler’s language; learn he speaks Japanese. For me, a sudden flash of memory -- a student at International Christian University in Japan, I took countless pictures without arousing suspicion.
The police speak through the interpreter, with the impatience of authority. “The conductor asked this man three times to discontinue. We must remove him from the train.” The traveler hears the translation, is befuddled. Hidden beneath the commotion is a cross-cultural drama. With the appearance of police officers, this quiet visitor is embarrassed to find he is the center of attention. The officers explain, “After we remove him from the train, when we are through our investigation, we will put him on the next train.” The woman translates. The passenger replies, “I’m meeting relatives in Boston. They cannot be reached by phone. They expect me and will be worried when I do not arrive on schedule.” “Our task,” the police repeat, "is to remove you from this train. If necessary, we will do so by force. After we have finished the investigation, we’ll put you on another train.” The woman translates. The traveler gathers his belongings and departs.
My earlier suggestion that you imagine being in his place leaves you free to respond and draw your conclusions. Remember: you’ve been removed from the train, are being interrogated, perhaps having your equipment confiscated; while I continue to do what I take for granted – traveling unimpeded, on to Providence.
The more I replay the scene, the more troublesome it is. It is the stuff of nightmares. Relations between people and countries lie at the heart of the issue. The abstract terms that inform political and social debate appear, as if in person, unexpectedly, near enough to hear, touch, feel. Taking no position is not an option. As an educator, I would prepare and deliver a lecture on how others perceive America in the world community, then seek an audience. I'll spare you. But -- I just watched armed police officers remove a visitor from the train for taking pictures. I don't understand this. I’m disturbed – no, shaken – to bear witness to these events. Other passengers react with surprise and anger. “Since when is it illegal to take pictures?” “Nobody’s ever bothered me about it.” “Is the only photography allowed from the space station and Google Earth? These people take pictures of everything, including my house, without my permission, and they’re instantly available on the internet.” An older traveler reflected, “I witnessed this personally in police states during the war in Europe.”
Read it all (including lots of great comments) here. Amtrack has since written Merchant to admit that there is no policy against taking pictures from the train.